惡地謝土 Mudstone Badlands,Marionettes and Reminisce
錄像、3D列印、馬達、陶瓷|2023
作品展出於台北偶戲館
作品展出於台北偶戲館
|
|
May the gods grant us safety throughout all four seasons and prosperity during our eight festivals. As the old saying goes, "Good days are shared by all of us (kong-ke)." Today, how do we perceive the relationship between faith and time? On and off the stage, in and out of the show, during various life rituals and practices, how do today's viewers experience and perceive the time spent on rituals and performances?The relation between marionettes and people has transformed them from mere material objects to a crucial part of people's lifelong faith and an aspect of Taiwanese culture that needs to be preserved and passed down. Walking Grass Agriculture's video installation, Badlands and Marionettes, created with Chin Fei Feng Marionette Theatre Troupe, is on display. Filmed at Moon World, the artist group hopes that by representing traditional rituals, marionette culture in Taiwan's context can be known by more people in modern days and passed down to future generations.
四時無災,八節有慶,正所謂「好日公家的(kong-ke)」,今日的我們,如何感受信仰與時辰的關係?臺上臺下,戲裡戲外,生命禮俗,今日的觀者,如何體驗並感受儀式的時間與表演的時間?從物質到習俗,傀儡與人的關係,如何從「物」變成生命信仰的一部分,迄今,成為有待保存和延續的台灣文化。錄像裝置作品《惡地謝土》,與錦飛鳳傀儡戲劇團合作,於月世界取景,藉由科儀的再現,除傳遞傀儡在臺灣的文史脈絡外,亦希望延伸傀儡習俗與台灣當前生態環境的處境。
導演:走路草農/藝團
演出:錦飛鳳傀儡戲劇團
訪談:劉天球
拍攝:平烈
主辦單位:台北市文化基金會、台北偶戲館
指導單位:台北市文化局
演出:錦飛鳳傀儡戲劇團
訪談:劉天球
拍攝:平烈
主辦單位:台北市文化基金會、台北偶戲館
指導單位:台北市文化局